But the human need to express musically what is in the heart is such that voices are often not enough… and this is where instruments come in. Each one has its own “personality,” its timbre and traits.
Each seems to convey a particular state of spirit. For example the trumpet is strong and majestic, appropriate to a royal court; nobility and delicacy combine wonderfully in the violin; the the flute displays subtlety and refinement; and so on.
Now, let us take a simple modest instrument that often goes unnoticed even by music lovers. It is the mandolin. A sort of “mini guitar,” as benign as a dew drop, it also has its own characteristics – we could even say its own “little way”…
The pieces normally played on this instrument are imbued with poetry, turned toward the marvellous, replete with candour and goodness, but misunderstood and at times even rejected. Nevertheless, this isolation imparts to it a special beauty. Its sound is so subdued and mild that, if played with strong instruments, it goes almost unnoticed, but it still does not fail to mark the ensemble with its distinctive tone.
The same could be said of misunderstood souls who are rejected by the world and even by those closest to them, for being faithful to God. They gradually form a reservoir of candour and goodness, contagious to those who approach them in a manner open to their influence.